Archive for the ‘Fiction’ Category

New Dark Fiction – The Blackness Within: Stories of the Pagan God Moccus

/ May 6th, 2011 / 1 Comment »

Cover art “Moccus” by Stanley Morrison

My First Published Story

Who would have thought anyone’s first-ever short story submission would end up becoming their first published work? I’ve been working on the novel Evil Looks Good for years, and something that I ran off as a fun side project ends up in the limelight.

You can read more about how I took some time off from the novel Evil Looks Good to write a short story called Big Game, and my surprise when it was selected to be published in the anthology, The Blackness Within.

About the Book The Blackness Within Compilation

Apex Publications is proud to announce the release of Stoker Award-nominated editor Gill Ainsworth’s latest anthology, The Blackness Within: Stories of the Pagan God Moccus.

From Africa to Australasia, from Europe to the US, take a terrifying journey led by world-renowned and up-and-coming authors of horror. See how Moccus, the Celtic God of fecundity, brings His barbaric brutality to the twenty-first century.

From: http://www.apexbookcompany.com/the-blackness-within-stories-of-the-pagan-god-moccus/

About the Story Big Game

Big Game is a modern dark fiction story combining corporate espionage, an eerie secluded cabin in the Canada wilderness, the hunting trip of a lifetime, and the Biggest Game of all.

You can read more about my story Big Game at this link.

What does it all mean?

Well, what this means is that I am now officially and forevermore a PUBLISHED AUTHOR!

Now, it’s time to work on the “bestseller” title prefix…

Ordering The Blackness Within:

You can order the paperback of The Blackness Within on Amazon, and the Kindle version is here, last time I checked.

Check out the official Big Game page here on conradzero.com for all the latest info about the story.

Conrad Zero LogoYours Darkly,

Conrad Zero

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Four-Author Horror Fiction Book “Draculas” released

/ October 18th, 2010 / No Comments »

Conrad Zero as an evil harlequin with a chainsaw. Halloween 2006

Bringing Scary Back (to Vampires)

Q: What’s more frightening than a vampire clown?

A: A vampire clown with a chainsaw.

And that’s what you’ll find in Draculas, the e-book that drops today by no less than four authors:

Four well-known horror authors pool their penchants for scares and thrills, and tackle one of the greatest of all legends, with each writer creating a unique character and following them through a vampire outbreak in a secluded hospital.

The goal was simple: write the most frightening book they possibly could.

Which they did.

A word of warning:

Within these pages, you will find no black capes, no satin-lined coffins, no brooding heartthrobs who want to talk about your feelings. Forget sunlight and stakes. Throw out your garlic and your crosses. This is the Anti-TWILIGHT.

Source http://www.blakecrouch.com/draculas/

The authors

Each of the four authors wrote characters into the story:

  • F. Paul Wilson is a New York Times bestselling author of The Keep and many other books spanning many genres.
  • I’ve been following Jack Kilborn (AKA: JA Konrath) for years, and I’ve promised him a beer next time he’s up in Minneapolis. Jack is the author of the long-running series of Jacqueline “Jack” Daniels books, including the upcoming Shaken.
  • Blake Crouch is the author of a handful of books including the upcoming Snowbound.
  • Bram Stoker award nominee, Jeff Strand rounds out the foursome with several horror books under his belt.

The Review of Draculas

I read the pre-review copy of Draculas in a single, sleepless night.  The plot is more than just straightforward, it’s dead simple. A skull reputed to be the actual skull of Dracula is discovered, and causes all sorts of problems for its new owner and many people in an isolated hospital. People attacked by vampire creatures called Draculas are either killed outright by the literally blood-thirsty monsters, or worse, converted into another of these ruthlessly fast and dangerous beings.

The body count and the monster count both ratchet up plenty quick.

The authors call Draculas “The Anti-Twilight” and I can vouch for that. You won’t find this Paranormal watered down with Romance or worse; stoic teens waffling over mindless choices.  Draculas overflows with over-the-top carnage coupled with a sense of humor that would make Rob Zombie proud. The pace is fast, and made even faster by bouncing the point-of-view between many of the characters, including a chainsaw-wielding vampire clown.

Each chapter is titled with the point-of-view character’s name; a clever way to ease the transitions between characters. Some may not like the head-hopping, I thought it was a great way to keep the story fresh. Although as the story progressed, I gravitated towards my ‘favorite’ characters and began skimming the non-favorite character chapters to get to the characters that I liked.

It’s easy to see that these four authors are truly “Bringing Scary Back” to vampires. My only complaint is that parts of the story came off as schlocky humor, which took away from the horror. Not that the story had to be as serious as a CSI Minneapolis episode, but when the blood-soaked vampire clown picks up a chainsaw and heads for our hero, its giant clown shoes squeaking as it walks… When the gun-toting Dirty-Harry-wannabee pulls out a .454 as if he just got back from a black market weapons expo (why not a fifty cal elephant rifle? You were so close!) … when someone bites the vampire clown on the neck, then says “he tasted funny”…

Let’s just say humor in horror is a spice, best used sparingly. Balancing between a Horror/Comedy and a Comedy/Horror is a fine line, and subjective at that.  You may find a chainsaw-wielding vampire clown with giant squeaky shoes horrific, but I’m laughing now just thinking about it.  A little more serious would have been a lot more scary for me, but your mileage may vary.

The Short Review

Horrifically bloody good fun. Finally, vampires to be afraid of.

Where to Get Draculas

The scariest thing about Draculas is that it is ONLY being released as a Kindle Version, although Blake Crouch offers a workaround involving a free program that translates the kindle version into something else.

-Zero

Great Website: circusofbrassandbone.com

/ September 2nd, 2010 / No Comments »

A great website for a great cause, http://www.circusofbrassandbone.com is an online serial-story by fellow MNSpec author, Abra Staffin Wiebe.

The Story

The Circus of Brass and Bone is a steampunk fiction story set primarily in 1800′s America. Although, since the main source of power in this alternate reality is aether and not steam, it’s more accurately labeled as aetherpunk.

From the website:

After the collapse of civilization, the show goes on….

The Cause

Abra’s mom is in some dire straits. She has an advanced cancer compounded by no job and no savings. You can read more about her situation here, but the upshot is that Abra is releasing The Circus of Brass and Bone on a “Pay What You Can” basis in order to raise funds to help offset her medical expenses.

What YOU can do to Help:

1-Read

Check out Episode One: Everyone Dies or listen to the podcast. You’ll find out just what a great writer Abra is.

2-Connect

Subscribe to the podcast, get on the e-mail list, friend up the facebook fan site. Check out the links below, so you don’t miss any of the upcoming episodes.

3-Donate

Seriously, Abra’s mom needs your help. Skip your daily Grande Mocha Frappuccino and toss a couple bucks towards a good cause.  Click here to Donate directly to Abra Staffin Wiebe through PayPal.

4-Share

Blog, Twit, Stumble, Digg, Friend, Comment and Like the hell out of this.

Links

Yours Darkly,

-Zero

How Bigfoot’s ‘Three-Quarter Twist’ pose changed the book cover industry

/ January 6th, 2010 / 1 Comment »
Cover of Laurell Hamilton's 'Obsidian Butterfly'

Front Cover Showing The Back Side...

A leisurely stroll through the fiction section of your local bookstore will reveal a surprising number of book covers that are… ass.

Literally.

Primarily female ass.

I’m going to be the very, very, very last person in the world to complain if people want to put any portion of the female anatomy on book covers.  So blame my Inner Philosopher for asking “Why?”

The simple answer is that ‘sex sells.’ But for the sake of a blog post, I’m going to pretend there’s more to it than that.

It’s important to realize that the author doesn’t always have input on the cover of his/her own book. The cover is generally the domain of the publisher if the author is traditionally published (as opposed to self-published) . That includes the book title, cover copy, graphics, colors, layout, font, blurbs, etc. Covers of books are usually developed or contracted by the publisher.

But that doesn’t really explain this:

kimharrisonbookcovers

Kim Harrison Book Covers

For the record, Kim Harrison did not start this trend, and she might not like it herself, but her publisher is clearly sold on it. Now, any one of these as a cover is fine. But as a repeated motif it’s questionable, and as a genre, I’d think someone somewhere would find it offensive. More than half of these covers don’t even show the woman’s head, and none of them show the face. What happened to women being pissed off at being objectified? If a male author had book covers like these, could we expect some outcry then?

No offense intended to Kim Harrison; quite the opposite. I think there is more substance to her books than than the covers give credit for. Check online reviews of her work and see for yourself. You will find that her writing is well-liked and her covers are not. In fact, I would say her work is selling well *in spite of* her publisher’s cover choices.

Attack of the Clones

For every person with an original marketing idea, there’s 1×10^3 people who simply copy that idea, rendering it un-original. My guess is that once upon a time, a good book with the female behind on the cover made the bestseller list, and now publisher’s marketing departments are making the decision to knock off a piece.

Why would I think this? Browse through the fiction section yourself and look for the books with the heroine derriere on the cover. They won’t be hard to find. This bunch came together quickly:

Karen Chance Book Covers = Ass

Karen Chance Book Covers

Carrie Vaughn Book Covers = Ass

Carrie Vaughn Book Covers

Richelle Mead Book Covers = Ass

Richelle Mead Book Covers

Again, I have nothing whatsoever against the authors or their writing. In fact, that’s my point. How do the publishers’ cover choices relate to the contents? Are the covers an accurate image of the product, or simply objectifying women? Should marketing people should be strangled to death with their own intestines?

If I were the author, I’d be pissed that my book cover looked like this. No originality whatsoever. Drowned in a sea of “Look at my ass too!”.

Branding

Origin of the famous "Three Quarter Twist" pose.

Origin of the famous "Three Quarter Twist" pose.

Of course we all recognize the classic pose of looking back over the shoulder originated by Bigfoot. (See picture, right.) My friend James has named this pose The “Three-Quarter Twist”  – not looking all the way behind you, but almost. Xtna pointed out that this pose allows the audience to see three aspects of the subject – the face, the curve of the chest, and the ass – all at once.

One could argue that showing the female backside on a book cover is a branding thing, like the Harlequin Romance ‘bodice rippers’ with the stereotypical picture of Fabio ravaging some harlot on the cover. Perhaps publishers think that consumers can put themselves in the place of the heroine on the cover. This would explain the disturbingly faceless/headless heroines. Maybe they think consumers see the cover pic of a heroine’s ass and think, “Oh, look! A modern day urban-fantasy featuring a female-dhampir protagonist, and told from first person point of view! I love these!”

What it tells me is that the author doesn’t have an original idea, and this book is just a knockoff of all the other books in the genre. Or worse, this book is trying to *look* like other books in a desperate attempt to sucker people into buying it. But keep in mind:

…the author doesn’t always have input on the cover of his/her own book… The cover is generally the domain of the publisher.

So the cover doesn’t have as much to do with the contents as you would think.

The Ass End

I should be thankful. Things could be worse. Much worse. They could be pictures of guys’ asses, or flabby bellies. Rob Zombie could probably think up far worse pictures of female anatomy to offend us.

The covers don’t lie. These books do in fact, contain female heroines, and the female heroines do in fact, have backsides. But what does this say about the publisher’s approach to the customer and the market as a whole? What does this say about the originality of the author/story?

What do you think?

Conrad Zero LogoYours Darkly,

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Conrad Zero… Published Author?

/ June 7th, 2009 / 6 Comments »

It isn’t supposed to happen like this, or so I’m told.

Back in Mar 2009, I tripped across a call for submissions to an anthology titled The Blackness Within.

The idea sounded refreshing and I needed a break from The Demonslayer’s Handbook. So, I took a week off to write up almost 5000 words, and sent it off, thinking no more about it than the fact that I should clear a virtual place for the rejection e-mail I was sure to receive.

On 2 May 2009, I discovered that I’d made the “Short List” whatever that means, and on 5 June I received the following e-mail:

‘Big Game’ is a great story, fast paced and quite different…I’d love to accept the story for inclusion in ‘The Blackness Within’.

Like I said, it’s not supposed to happen this way. The first story I’ve shown outside my circle of friends and relatives, written in a fit of spontaneity… not to mention my first submission ever… accepted?

The princely sum of 15 Pounds is probably enough to buy myself a copy of the book when it comes out, with enough left over for a lovely cuban cigar to smoke while I read it. But the real prize is that I will forevermore be able to say that Conrad Zero is a published author. (And I just might refer to myself in third person when I do it. Adds to the importance, don’t you think?)

So now, with a 100% acceptance rate, I’m terrified to ever make another submission. Don’t want to tarnish that perfect record, eh?

Meanwhile, The Blackness Within anthology should be out later this year by Apex Book Company.

Stunned,

Conrad Zero LogoYours Darkly,

Conrad Zero

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Horror Story Submission – “Big Game” starring Moccus

/ April 5th, 2009 / 1 Comment »

Last week I tripped across an interesting opportunity over at Apex Book Company. (Click on their banner below to visit the site.)

apex_magazine

On their Submissions page, they are accepting short story entries for an anthology called The Blackness Within. All stories in the anthology will involve the Celtic pig-deity, Moccus.

I know, I’ve never heard of Moccus either. Neither has the internet. It didn’t even come up on GodChecker.com so this is like some seriously under-the-underground hidden knowledge.

Or a hoax.

Either way, I found the lack of information on Moccus to be refreshing. Finally, a deity that hasn’t been analyzed from all angles and run right into the ground. Authors are given a few guidelines and a few restrictions regarding their submissions, but for the most part left alone to explore and expand on this overlooked god.

So, I cooked up a story called “Big Game.” It’s a cross between The Office (sans humor), Scary Spice (sans music) and all those Cabin-by-the-lake horror films.

I can’t print any of the story here, because the publisher is asking for FNASR (or, First North-American Serial Rights) which precludes me from releasing it before they do. But fear not, if my submission is rejected, or after the limits of the contract have expired, I’ll post the 4866 words of “Big Game” here at conradzero.com for your edification.

Conrad Zero LogoYours Darkly,

Conrad Zero

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Fiction Book Review – The Spiritualist by Megan Chance

/ September 21st, 2008 / No Comments »

After reading one too many technical books, I had to shift back into a bit of fictional fun, and Megan Chance’s latest work The Spiritualist caught my attention. According to her website, The Spiritualist is…

…a tale of murder and intrigue, class and the occult, as one woman’s desperate search for a killer reveals that truth may be the greatest illusion of all…

More specifically, The Spiritualist is a murder-mystery set in the 1800′s, involving the heroine, Evie, who married into high-society. When Evie’s husband disappears after a visit to a ‘spirit circle’, Evie is sucked into an intricate web of deceit between the elite social circles, her own family and an occult group led by a charismatic medium. It’s a story of high-society, table-rapping spirits, charismatic charlatans, and romance.

Alright, so it isn’t something I’d typically read. There weren’t any ninjas or explosions in it. All the more reason you should be shocked and amazed at my assessment: Megan Chance is a *fantastic* writer, and ‘The Spiritualist’ is a great book.

The Good

Megan Chance writes believable characters. Even though the characters are mostly upper class set in 1800′s New York  I really believed in them. Their actions, reactions and motivations were understandable, if not forgivable. I never felt like I was watching ‘The English Patient’ where suspension of disbelief was pushed beyond superhuman limits.

The storyline was tight and linear, with few wasted pages. The plot pulls you in, and doesn’t disappoint, keeping and a sure-and-steady pace. And just the right amount of intrigue, to keep you reading past your bedtime.

Another great thing about the book was the cover, and the lack of half-naked people embracing thereon. Let’s be honest, that doesn’t even belong on the covers of trashy romance novels. DISCLAIMER: The story has romance in it, and Megan Chance won the Romance Writers of America’s RITA award for excellence in Romantic Fiction. But don’t hold that against her, or this story. The romance was tastefully done.

But the best part of the book is the writing. The sentences simply flowed, and made me realize how much my own writing sounds like a hastily translated ‘Dick and Jane’ book. Megan paints smooth, silky pictures of the 1800s in your head with her words.

The Bad

There weren’t any ninjas or explosions. Yeah, that’s about it.

I e-mailed Megan and she replied, “Next book, more ninjas and explosions… Got it.”

What can I say? I’m here to help.

The Upshot

‘The Spiritualist’ is a treat for anyone wanting an escape to a well-constructed, well-written, 1800s romantic-occult-murder-mystery.

Art Is Resistance
-Zero

Fiction Book Review: “War for the Oaks” by Emma Bull

/ July 7th, 2008 / No Comments »

On a recent book-scouting adventure in Minneapolis, I spoke with Roger over at Magus Books, and asked him if he knew of any books similar to my “Demonslayer’s Handbook” – a paranormal adventure set in modern-day Minneapolis. He highly suggested Emma Bull’s “War for the Oaks“. (Careful, the Wikipedia entry is laden with spoilers.)

I is considered to be the very first book to define the Urban Fantasy genre.

Emma Bull writes in the introduction of War for the Oaks that she doesn’t read author’s introductions until after she’s finished the book. After reading her own introduction, I would agree. I wish I hadn’t read her introduction before reading the story. Sadly, I cannot tell you why without spoiling the book for you. You can choose whether or not to learn from my mistake, but in the future I think I’m taking Emma’s advice.

War for the Oaks is deeply steeped in Minneapolis, Music, and 80s Fashion. Emma Bull’s taste in music is great, she constantly drops band names and song references throughout the story. Same with locations; you won’t forget the story takes place here in the Twin Cities of Minneapolis/St. Paul. The story bounces around to some of the best locations in town.

Fashions that might be laughable today are considered quite stylish for the 80′s, when the story takes place, and Emma nails them perfectly. Jean jackets with turned-up collars and high-tops? Yikes. Been there, worn that, stole back the pix and burned them.

The third-person POV story revolves around the main character, Eddi McCandry. Eddi is chosen as a magical savior in an upcoming war and assigned a Faerie bodyguard. In the first half of the book, the “War” is only a minor backdrop; shadowed by the relationships and band drama surrounding Eddi. She resigns herself to her fate as the Chosen One, and goes about constructing a new band amidst shifting relationships, and coming to terms with the bodyguard who won’t leave her side. The second half of the story gets more involved with the actual war, some of which spills into the real world, and climaxes with a classic duel of Good Vs Evil at First Avenue!

Emma Bull does a great job of making the other-world characters feel other-worldly. Their method of speech feels Victorian, and their manners and customs are notably different than that of humans.

As far as *research* goes, it was enlightening to see how another author approaches shifting between different realities, and descriptions of Minneapolis areas. Her writings on band politics and music technology are accurate, which makes sense, since Emma Bull was in a local band or two.

As far as *entertainment* goes, War for the Oaks is a good story for those who want a Disney faerie tale crossed with 1980′s Minneapolis urban fantasy.

Art Is Resistance
-Zero

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