Wednesday, March 28, 2007
The Album Is Dead! (Part Two)
Hey, the Recording Industry reads my blog!
Check out this story in the NY Times by Jeff Leeds, about a group just signed by a record label..
...to do Two songs. TWO. Thas'all.
Sound Familiar?
The album distribution model was perfect for hard-copy records, tapes and CDs. So you really liked "Pour Some Sugar On Me" because you heard it on the radio. You ran down to Musicland on 3 August in 1987 and bought Hysteria the day it came out. You paid $11.99
Why did you pay that much for one song? You didn't. You only wanted the 'hit', and you might have actually paid twelve bucks for it, but that truly would be a rip-off, since the single (in cassette tape format, natch) was available for $3.99. That makes 12 songs for twelve bucks sound like a hell of a deal. Those were your options, and they sucked.
But not anymore. On the interweb, you preview each song before you buy it, and you pick and choose the songs you want. Who the hell wants to buy the entire album of Wang Chung's "Points on the Curve"?
You only want this song, and this one. Maybe this one, if you're a true fan.
But this? It's crap. If it was a piece of furniture in your house, you would pay to have it hauled away; you certainly wouldn't want to be caught Dead with it taking up space in your I-Dope Shuffle. The song was tossed into the album so the price could be set higher, a technique called "Value Added", a concept thought up by a marketing person who should have been disemboweled for coming up with the idea.
Yes, the time is up for the album. It's just as well, since few bands use albums to their full potential anyway. The article mentions Tool and Radiohead, but has anyone heard of Jethro Tull's "Thick as a Brick"? The CD has one track on it, about 45 min long. Its not even a concept album. It's a 45 min SONG.
Concept albums? Nobody does that anymore. You'd have to be drunk or stupid to even try that shit nowadays.
But the real proof that the record companies read my blog? I quote:
Another solution being debated in the industry would transform record labels into de facto fan clubs. Companies including the Warner Music Group and the EMI Group have been considering a system in which fans would pay a fee, perhaps monthly, to “subscribe” to their favorite artists and receive a series of recordings, videos and other products spaced over time.
From: http://www.nytimes.com/2007/03/26/business/media/26music.html?ex=1332561600&en=7a34accc8988c811&ei=5088&partner=rssnyt&emc=rss
I wonder if I will get any credit for coming up with the idea first.
Blog on,
-CZ
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Check out this story in the NY Times by Jeff Leeds, about a group just signed by a record label..
...to do Two songs. TWO. Thas'all.
Sound Familiar?
The album distribution model was perfect for hard-copy records, tapes and CDs. So you really liked "Pour Some Sugar On Me" because you heard it on the radio. You ran down to Musicland on 3 August in 1987 and bought Hysteria the day it came out. You paid $11.99
Why did you pay that much for one song? You didn't. You only wanted the 'hit', and you might have actually paid twelve bucks for it, but that truly would be a rip-off, since the single (in cassette tape format, natch) was available for $3.99. That makes 12 songs for twelve bucks sound like a hell of a deal. Those were your options, and they sucked.
But not anymore. On the interweb, you preview each song before you buy it, and you pick and choose the songs you want. Who the hell wants to buy the entire album of Wang Chung's "Points on the Curve"?
You only want this song, and this one. Maybe this one, if you're a true fan.
But this? It's crap. If it was a piece of furniture in your house, you would pay to have it hauled away; you certainly wouldn't want to be caught Dead with it taking up space in your I-Dope Shuffle. The song was tossed into the album so the price could be set higher, a technique called "Value Added", a concept thought up by a marketing person who should have been disemboweled for coming up with the idea.
Yes, the time is up for the album. It's just as well, since few bands use albums to their full potential anyway. The article mentions Tool and Radiohead, but has anyone heard of Jethro Tull's "Thick as a Brick"? The CD has one track on it, about 45 min long. Its not even a concept album. It's a 45 min SONG.
Concept albums? Nobody does that anymore. You'd have to be drunk or stupid to even try that shit nowadays.
But the real proof that the record companies read my blog? I quote:
Another solution being debated in the industry would transform record labels into de facto fan clubs. Companies including the Warner Music Group and the EMI Group have been considering a system in which fans would pay a fee, perhaps monthly, to “subscribe” to their favorite artists and receive a series of recordings, videos and other products spaced over time.
From: http://www.nytimes.com/2007/03/26/business/media/26music.html?ex=1332561600&en=7a34accc8988c811&ei=5088&partner=rssnyt&emc=rss
I wonder if I will get any credit for coming up with the idea first.
Blog on,
-CZ
Labels: Business Phenomena, consumerism, Cultural Observation, Million Dollar Idea, music, Music Industry
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